The author selects words such as “spectrum” and “various” to refer to the dining and art institutions. Clearly mélange must be some sort of variety offering. Only choice C, “assortment” matches this definition.
The author clearly believes true, genuine history to be the paramount characteristic. Choice A and choice B (restaurant and museum) are exactly what the author said weren’t as important as history (choice B is tricky, but it is still just a museum—not natural history in its element). Choice D refers to sports, despite the fact that Wrigley Field has much history tied to it; choice E is irrelevant as government is not nearly as important to a city’s cultural wealth as a historical monument. Choice C is a historical object and symbol; furthermore, the author refers to the local people that add to the cultural vibrancy. Choice C is the best option.
Passage 1 discusses stage fright by focusing on the vulnerability of the actor, explaining why “appearing in front of an audience is a scary proposition” (lines 3-4). So Passage 1 can be said to analyze a phenomenon. Passage 2 similarly addresses the experience of stage fright, but discusses ways of coping with it. So Passage 2 can be said to suggest a solution to a problem.
Passage 1 suggests that “maintaining the reality of the character” involves the “unique problem of hiding and showing at the same time” (lines 4-7). The text further suggests that the actor must not allow “the audience to see something it is not supposed to see: namely, the performer's fear, or stage fright” (lines 9-11). This suggests that the actor must hide things that do not relate to the character and, by extension, show the audience only behavior relevant to the character.
Passage 1 specifically suggests that “performance” is the “domain of stage fright” (lines 1-2). Passage 1 emphasizes that situations unique to the theater contribute to stage fright. Passage 2 states that “the key to most fears is substitution” (lines 17-18), and shows how actors can use substitution to overcome stage fright. Passage 2 thus sees stage fright as “similar in one way to most other fears.”
The author gives the following advice to actors: “If you will . . . think more about the comfort of your listeners than their verdicts, everything will fall into place” (lines 20-23). A performer who thinks of the audience as friends would be following this advice.
Explanation:
Choice (A) is the right response. It is the only response that the verse explicitly states. Although precipitation is mentioned in the passage, it only refers to hail (B). Although both lightning and loud, thundering noises have been associated with tornadoes (C and D, respectively), the passage makes no mention of either.
Explanation:
The response you choose is the right one (C). The passage makes reference of all the other solutions, but only (C) is the primary focus.
Explanation:
The correct answer is answer choice (A). This sentence follows a topic sentence describing ways for people to know that a tornado is on its way. Therefore, “going past” (C) does not exactly work. The tornado might be “causing destruction” (D), but that is not described by the word “approaching.” Answer choice (B) is tempting, but the passage is mainly about figuring out how to avoid a tornado, so answer choice (B) wouldn’t really make sense.
Explanation:
The response you choose is the right one (B). The chapter only specifically mentions wind shear and air instability, while other factors may also play a role in the development of tornadoes.
Explanation:
Choice (C) is the right response. The line "Tornadoes still puzzle meteorologists because they are so difficult to anticipate" plainly states the solution. The passage directly contradicts each and every one of the other response options.
Explanation:
Choice (D) is the right response. The statement "Once a tornado forms, it will only touch the earth for around 20 minutes, yet a tornado may wreak a lot of damage even in only a few minutes" explicitly answers this question. Response choice (D) is a better alternative because there is no evidence that tornadoes are generally on the ground for such a brief period of time. A tornado may just last 1-2 minutes (A), but this is not the most correct answer.
Explanation:
Choice (B) is the correct response. Looking at the chart, you can see that Texas has a bar that is little over 150 points longer than those of the other states.
Explanation:
Choice (D) is the correct response. A short vowel does not sound like its letter when it is spoken. Therefore, an e that doesn't pronounce "ee" would be considered short. The only word in the list of possible answers without a "ee" sound is "peg" (D).
Explanation:
Choice (A) is the correct response. A long vowel sounds like its letter when spoken. So a long u would sound like a yoo. "Mule" is the only word having a yoo sound among the response options (A).