Literary and cultural theories with a focus on text analysis include deconstruction and formalism, however they place differing emphasis on particular aspects of texts.
The Black Death, often known as the bubonic plague, was a terrible pandemic that ravaged Europe in the middle of the 14th century, peaking between 1347 and 1351.
It is believed to have killed between 25 and 30 million people, which represents a sizable fraction of the population of Europe at the time.
The Renaissance saw the rise of humanism, a significant intellectual and cultural movement that placed a strong emphasis on the worth and potential of people as well as their accomplishments and unique experiences.
Humanism influenced a change in how religious themes and personalities were portrayed in Renaissance art.
Johann Sebastian Bach, a renowned Baroque composer, wrote The Goldberg Variations as a piece of music.
It is regarded as one of Bach's most renowned keyboard compositions, and it was written for the harpsichord.
Early Greek sculpture placed an emphasis on harmony, symmetry, and proportion while attempting to capture the human figure in its most ideal and aesthetically beautiful state. Greek sculptors aimed to produce idealized, athletic, youthful forms that reflected the idea of perfect beauty.
An important member of the Transcendentalist movement in the 19th century was the American essayist, educator, and poet Ralph Waldo Emerson.
In his philosophical and literary works, he highlighted the value of autonomy and independence.
During the Norman era, "mottes"—defensive elements—were frequently utilized in medieval fortifications.
It was an earthen mound that had been constructed artificially, frequently topped with a timber or stone structure called a "keep" or "donjon." Typically, a defense ditch around the motte.
The Morality Plays were the entertainment-oriented plays that evolved from religious themes to secular tales during the transition from the Middle Ages to the Renaissance. During this pivotal time in history, these shifts in theatrical themes and content reflected the audience's changing cultural ideals and interests.
Ancient Greek translated the word "tragedy" as a "goat song." The word is a mixture of two Greek words, tragos (which means "goat") and oid (meaning "song" or "ode").
A "tragos" was a goat used in ancient Greek theater productions, while a "oid" was a song or chant.
During the Norman era, "mottes"—defensive elements—were frequently utilized in medieval fortifications.
It was an earthen mound that had been constructed artificially, frequently topped with a timber or stone structure called a "keep" or "donjon." Typically, a defense ditch around the motte.
According to John Stuart Mill's damage principle, people should be allowed to act anyway they like as long as it doesn't affect other people.
According to the "harm principle," society can only intrude on an individual's freedom if it is necessary to protect others from harm or advance the welfare of society as a whole.
During the Renaissance, the advancement and dissemination of scientific knowledge was significantly aided by the creation of the movable-type printing press.
It served as a catalyst for the exchange of ideas, the development of science, and the broadening of minds, ultimately resulting in the revolutionary era known as the Scientific Revolution in the centuries that followed.
Although the Epicureans and the Stoics were two opposing philosophical schools in classical Greece and Rome, they both had a shared interest in discovering ways to escape suffering and reach peace or satisfaction
A well-known Baroque composer noted for his contributions to several musical genres, including oratorios, was George Frideric Handel. The oratorio "Messiah," written in 1741, is among his best-known compositions.
Shakespeare's play "Macbeth" features a soliloquy by Macbeth known as the "Tomorrow, and Tomorrow, and Tomorrow" monologue after Lady Macbeth's demise. In this reflective and well-known soliloquy, Macbeth muses on the pointlessness and futility of life.
Among other modernist authors, William Faulkner and James Joyce adopted the stream-of-consciousness storytelling approach.
It is a literary form that aims to convey the unfiltered, continuous flow of a character's thoughts, feelings, and impressions.
