Remixing & Mashups Remixing & Mashups 4 — Questions and Answers
Question 1: What is the significance of the 1991 'Biz Markie vs. Gilbert O'Sullivan' case for sampling in music?
- It established that short samples under 3 seconds are always legal
- It ruled that sampling without a license is copyright infringement, effectively requiring clearance for all samples (Correct answer)
- It created the compulsory licensing system for remixes
- It granted DJs the right to sample for non-commercial use
Correct answer: It ruled that sampling without a license is copyright infringement, effectively requiring clearance for all samples
Grand Upright Music v. Warner Bros. (Biz Markie case) established that unlicensed sampling constitutes copyright infringement, forcing the music industry to clear samples before release.
Question 2: In the landmark 2004 'Bridgeport Music vs. Dimension Films' case, what rule did the court establish about digital sampling?
- Samples must be at least 5 seconds to require licensing
- Any digital sampling of a sound recording, no matter how small, requires a license (Correct answer)
- Remixes for film soundtracks are exempt from sampling laws
- Sampling is only legal if the original artist receives royalties
Correct answer: Any digital sampling of a sound recording, no matter how small, requires a license
Bridgeport established the 'bright line' rule: get a license or do not sample, regardless of how brief or altered the sample is.
Question 3: What is a 'remix competition' typically used for by record labels?
- To identify and penalize unauthorized remixers
- To crowdsource official remixes by releasing stems and inviting producers to submit versions (Correct answer)
- To test new artists' abilities to mimic the original song
- To find DJs who can perform the track live without stems
Correct answer: To crowdsource official remixes by releasing stems and inviting producers to submit versions
Labels use remix competitions as a marketing strategy and talent discovery tool, releasing official stems and soliciting remixes from the producer community.
Question 4: What distinguishes a 'remix' from a 'cover' in legal terms?
- A remix requires the artist's vocal performance; a cover does not
- A remix uses the original master recording as its source; a cover is a new performance of the composition (Correct answer)
- A cover requires a sync license; a remix requires a mechanical license
- There is no legal distinction between the two
Correct answer: A remix uses the original master recording as its source; a cover is a new performance of the composition
A remix incorporates elements from the original master recording, requiring a master license, while a cover is a fresh re-recording that only requires a mechanical license for the composition.
Question 5: What does it mean when a remix is released under a 'Creative Commons Attribution' license?
- The remix is in the public domain and no credit is needed
- Others may use, share, and build upon the remix as long as they credit the creator (Correct answer)
- The remix may only be used for non-commercial purposes
- The remix is exclusively licensed to one distributor
Correct answer: Others may use, share, and build upon the remix as long as they credit the creator
A Creative Commons Attribution (CC BY) license allows anyone to use, remix, and redistribute the work for any purpose, including commercial, provided they credit the original creator.
Question 6: What is 'interpolation' as used by artists who want to avoid sampling laws?
- Pitching a sample down until it is unrecognizable
- Re-recording a musical element (melody, riff) from scratch to avoid using the original master recording (Correct answer)
- Reversing an audio sample so it sounds different
- Layering many samples to obscure their origin
Correct answer: Re-recording a musical element (melody, riff) from scratch to avoid using the original master recording
Interpolation means re-performing a musical element rather than copying the original recording, which sidesteps master recording rights while still potentially requiring a composition license.
Question 7: Which court case involving 2 Live Crew and Roy Orbison's 'Oh, Pretty Woman' established that parody can qualify as fair use even if commercial?
- Campbell v. Acuff-Rose Music (1994) (Correct answer)
- Grand Upright Music v. Warner Bros. (1991)
- Bridgeport Music v. Dimension Films (2004)
- BMG Music v. Gonzalez (2005)
Correct answer: Campbell v. Acuff-Rose Music (1994)
Campbell v. Acuff-Rose (1994) held that 2 Live Crew's parody of 'Oh, Pretty Woman' could qualify as fair use despite being commercial, setting an important precedent for transformative works.
What is the significance of the 1991 'Biz Markie vs.
Gilbert O'Sullivan' case for sampling in music?