Text 1
Literary critic Anya Sharma posits that the early 20th-century novelist H.T. Albright consciously used sparse, unadorned prose to mirror the bleak, post-industrial landscapes in which his characters lived. Sharma argues that Albright’s stylistic choice was a deliberate political statement, forcing the reader to confront the stark realities of his era without the comfort of descriptive embellishment. This minimalism, she concludes, is the primary vehicle for his social critique.
Text 2
Biographer Lin Chen’s analysis of H.T. Albright’s personal letters and journals reveals an author obsessed with musical theory. Chen notes that Albright structured his novels based on principles of minimalist composers, viewing sentence fragments and repetitive phrases as literary analogs to musical motifs. Albright’s private writings frequently mention his desire to achieve a “rhythmic, resonant silence” in his prose, with social commentary being a secondary, if not incidental, outcome of his formal experiments.
Based on the texts, how would Lin Chen (Text 2) most likely respond to Anya Sharma’s (Text 1) conclusion about Albright's minimalism?
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A
By agreeing that Albright’s minimalism serves as a social critique but arguing that this was not its primary intended purpose.
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B
By asserting that Sharma has correctly identified the aesthetic influences on Albright's work but misinterpreted their political meaning.
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C
By arguing that Albright's work should be analyzed in a historical context rather than through his personal correspondence.
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D
By conceding that Albright’s prose is bleak but claiming this was an unintentional byproduct of his focus on plot.