Music Transcription Music Transcription Harmonic Progression Analysis Questions and Answers 2 — Questions and Answers
Question 1: When transcribing a jazz standard, which chord symbol typically represents a dominant seventh chord built on the fifth scale degree in the key of C major?
- G7 (Correct answer)
- Cmaj7
- Dm7
- Am7
Correct answer: G7
G7 is the dominant seventh chord built on the fifth degree (G) of the C major scale.
Question 2: In harmonic analysis of a transcription, what does the Roman numeral notation 'ii-V-I' represent in the key of Bb major?
- Cm7 - F7 - Bbmaj7 (Correct answer)
- Dm7 - G7 - Cmaj7
- Bbm7 - Eb7 - Abmaj7
- Fm7 - Bb7 - Ebmaj7
Correct answer: Cm7 - F7 - Bbmaj7
In Bb major, the ii chord is Cm7, the V chord is F7, and the I chord is Bbmaj7.
Question 3: While transcribing a passage, you identify the chords Am7 - D7 - Gmaj7. What harmonic function does this progression serve in the key of G major?
- ii-V-I (Correct answer)
- iii-VI-II
- vi-II-V
- IV-bVII-III
Correct answer: ii-V-I
Am7 is the ii chord, D7 is the V chord, and Gmaj7 is the I chord in G major, forming a standard ii-V-I cadence.
Question 4: When transcribing a deceptive cadence, what chord typically replaces the expected tonic resolution after a dominant chord?
- The vi chord (Correct answer)
- The IV chord
- The ii chord
- The iii chord
Correct answer: The vi chord
A deceptive cadence resolves the dominant chord to the vi chord instead of the expected I chord.
Question 5: In transcribing a modulating passage, you notice the progression Cmaj7 - A7 - Dm7 - G7. What is the function of the A7 chord?
- Secondary dominant (V7/ii) (Correct answer)
- Borrowed chord from C minor
- Chromatic passing chord
- Tritone substitution of Eb7
Correct answer: Secondary dominant (V7/ii)
A7 functions as V7/ii, a secondary dominant that tonicizes the following Dm7 chord.
Question 6: When analyzing a transcribed blues progression, what distinguishes a quick-change blues from a standard 12-bar blues?
- The IV chord appears in measure 2 (Correct answer)
- The V chord appears in measure 1
- The turnaround is omitted
- The I chord is played as a minor chord
Correct answer: The IV chord appears in measure 2
A quick-change blues moves to the IV chord in measure 2 instead of staying on the I chord for the first four bars.
Music Transcription Music Transcription Harmonic Progression Analysis Questions and Answers 2
When transcribing a jazz standard, which chord symbol typically represents a dominant seventh chord built on the fifth scale degree in the key of C major?