UCAT Verbal Reasoning Test #3
In 1881, a law was approved by the British Parliament to treat Wales differently from England. It mandated that all establishments that served alcoholic beverages close on Sundays. Welsh pubs were allowed to serve alcohol after this rule was removed in 1961, but local councils had to take a vote on the matter every seven years if 500 local inhabitants sought one. Therefore, locals could vote on whether to allow Sunday opening of the bars (go "wet") or to forbid it (go "dry").
Alcoholic beverages were actually purchased and sold on Sundays in Wales, but only to members of rugby and other sporting and social clubs, not to the general public in bars. There was a strong tradition of temperance in isolated rural Wales where Welsh was spoken, especially among the numerous non-conformist chapels that resisted Sunday pub opening. The breweries soon organized and funded the regular patrons of the bars on other days of the week to vote "Yes" for Sunday opening. Organizations involved in tourism, hospitality, and entertainment frequently protested the ban.
Places like Arfon, Carmarthen, Merioneth, Cardigan, and Anglesey that had voted to ban Sunday drinking in 1975 had all become "wet" by 1989. Only Dwyfor continued to be "dry" on Sundays, although having a "wet" period between 1982 and 1989. On a 9 percent turnout in 1989, they reinstated the "dry" prohibition for a further seven years. By 1996, Sunday hours were permitted in all Welsh bars.
Religious organizations were the main source of pressure for Sunday pub closings.
Correct!
Wrong!
Explanation:
"There was a strong tradition of temperance in isolated areas of rural Wales where Welsh was spoken, particularly centered on the many non-conformist chapels that resisted Sunday opening of pubs," the second paragraph reads.
The West End of London is renowned for its theaters, but this was not always the case. All theatrical productions were outlawed between 1642 and 1660 due to their immorality, corruption, and subversion. Drama was once again made legal in England in 1660, but just two London theaters and acting companies were allowed. Royal funding led to severe controls on performance and content, and critical commentary was prohibited. Upper class audiences could attend the theater.
Royal sponsorship was replaced by business interests in the 1690s, and government influence shrank. Owners desired a more socially diversified clientele in order to enhance earnings. Up until the late 1730s, a lot of playwrights attacked the monarchy and government. The government tightened controls and imposed censorship as performances became more critical and vocal. Following the reading of the provocative play The Golden Rump in parliament, which offensively criticized King George's personal habits, the 1737 Licensing Act was passed.
All plays were edited by the Lord Chamberlain's office two weeks prior to their performances, and they could only be given a license if everything that was offensive was removed. Authors and actors who disobeyed this law were subject to severe penalties and jail. This limitation on their ability to criticize politicians infuriated many authors.
Local theaters might be approved by magistrates after 1788. While several additional theaters were constructed in the provinces, London was still only allowed two theaters. Country gentry now have access to cultural experiences that are not available to many Londoners. The lack of plays due to censorship led to new sarcastic techniques being developed by government critics and new entertainment forms being created by London theater managers to draw spectators. In 1968, censorship came to an end.
Which of these claims is the passage most likely to support?
Correct!
Wrong!
Explanation:
It is backed up in sentence 1: "Drama was legalized once more in 1660..." Additionally, it claims that the censorship of plays was a result of royal sponsorship, indicating that the King of England supported theater in 1660.
Epistolary novels rose to fame in England in the eighteenth century, but the genre was outmoded by the year 1800. In response to social change, their popularity increased. After around 1700, a large number of upper class women attained a high degree of reading and had more free time than their foremothers. Visits, letters filled with news from friends and family, reading, and stitching kept the time occupied. Naturally, two of these passions fueled the development of this literary subgenre.
Epistolary novels, which are typically written in the form of letters, may also contain diary entries. By mimicking actual events, authors can convey a sense of reality. Without relying on all-knowing, constantly present narrators, letters helped create story, shift viewpoints, and highlight characteristics of character. The most common sort of polylogic books had simultaneous contributions from three or more "writers." This made it possible to apply the technique of "discrepant awareness," in which the reader and some characters are aware of facts that have not yet been revealed to others.
The typical subject matter of epistolary books in the eighteenth century was romance, which exposed the genre to severe mockery. Loss of popularity was consequently caused by altered leisure habits, derision, a more pragmatic outlook, and a desire for a more narrative approach. Despite this, the epistolary book was nonetheless popular in the nineteenth and twentieth centuries, and it seems to be making a comeback again.
The phrase "discrepant consciousness" is most appropriately interpreted to mean:
Correct!
Wrong!
Explanation:
Some performers in real life are conscious while others are still unaware.
The West End of London is renowned for its theaters, but this was not always the case. All theatrical productions were outlawed between 1642 and 1660 due to their immorality, corruption, and subversion. Drama was once again made legal in England in 1660, but just two London theaters and acting companies were allowed. Royal funding led to severe controls on performance and content, and critical commentary was prohibited. Upper class audiences could attend the theater.
Royal sponsorship was replaced by business interests in the 1690s, and government influence shrank. Owners desired a more socially diversified clientele in order to enhance earnings. Up until the late 1730s, a lot of playwrights attacked the monarchy and government. The government tightened controls and imposed censorship as performances became more critical and vocal. Following the reading of the provocative play The Golden Rump in parliament, which offensively criticized King George's personal habits, the 1737 Licensing Act was passed.
All plays were edited by the Lord Chamberlain's office two weeks prior to their performances, and they could only be given a license if everything that was offensive was removed. Authors and actors who disobeyed this law were subject to severe penalties and jail. This limitation on their ability to criticize politicians infuriated many authors.
Local theaters might be approved by magistrates after 1788. While several additional theaters were constructed in the provinces, London was still only allowed two theaters. Country gentry now have access to cultural experiences that are not available to many Londoners. The lack of plays due to censorship led to new sarcastic techniques being developed by government critics and new entertainment forms being created by London theater managers to draw spectators. In 1968, censorship came to an end.
Each of these statements is accurate given the passage, with the exception of:
Correct!
Wrong!
Explanation:
There were two theaters in London in 1660, yet there is no mention of the number of theaters there in 1737 in paragraph 1. (paragraphs 2-3).
Epistolary novels rose to fame in England in the eighteenth century, but the genre was outmoded by the year 1800. In response to social change, their popularity increased. After around 1700, a large number of upper class women attained a high degree of reading and had more free time than their foremothers. Visits, letters filled with news from friends and family, reading, and stitching kept the time occupied. Naturally, two of these passions fueled the development of this literary subgenre.
Epistolary novels, which are typically written in the form of letters, may also contain diary entries. By mimicking actual events, authors can convey a sense of reality. Without relying on all-knowing, constantly present narrators, letters helped create story, shift viewpoints, and highlight characteristics of character. The most common sort of polylogic books had simultaneous contributions from three or more "writers." This made it possible to apply the technique of "discrepant awareness," in which the reader and some characters are aware of facts that have not yet been revealed to others.
The typical subject matter of epistolary books in the eighteenth century was romance, which exposed the genre to severe mockery. Loss of popularity was consequently caused by altered leisure habits, derision, a more pragmatic outlook, and a desire for a more narrative approach. Despite this, the epistolary book was nonetheless popular in the nineteenth and twentieth centuries, and it seems to be making a comeback again.
The easiest way to interpret the passage's use of the word "polylogic" is to think of it as referring to the quantity of
Correct!
Wrong!
Explanation:
The second paragraph indicates that polylogic novels had three or more simultaneous "writers" and that epistolary novels are typically written in letter form.
The West End of London is renowned for its theaters, but this was not always the case. All theatrical productions were outlawed between 1642 and 1660 due to their immorality, corruption, and subversion. Drama was once again made legal in England in 1660, but just two London theaters and acting companies were allowed. Royal funding led to severe controls on performance and content, and critical commentary was prohibited. Upper class audiences could attend the theater.
Royal sponsorship was replaced by business interests in the 1690s, and government influence shrank. Owners desired a more socially diversified clientele in order to enhance earnings. Up until the late 1730s, a lot of playwrights attacked the monarchy and government. The government tightened controls and imposed censorship as performances became more critical and vocal. Following the reading of the provocative play The Golden Rump in parliament, which offensively criticized King George's personal habits, the 1737 Licensing Act was passed.
All plays were edited by the Lord Chamberlain's office two weeks prior to their performances, and they could only be given a license if everything that was offensive was removed. Authors and actors who disobeyed this law were subject to severe penalties and jail. This limitation on their ability to criticize politicians infuriated many authors.
Local theaters might be approved by magistrates after 1788. While several additional theaters were constructed in the provinces, London was still only allowed two theaters. Country gentry now have access to cultural experiences that are not available to many Londoners. The lack of plays due to censorship led to new sarcastic techniques being developed by government critics and new entertainment forms being created by London theater managers to draw spectators. In 1968, censorship came to an end.
Compared to the 1660s, it was simpler for individuals in the North of England to see plays in the 1790s for the following reasons:
Correct!
Wrong!
Explanation:
After 1788, village theaters were subject to magistrate approval, according to paragraph 4. While several new theaters were constructed in the provinces, just two theaters were allowed in London.
Epistolary novels rose to fame in England in the eighteenth century, but the genre was outmoded by the year 1800. In response to social change, their popularity increased. After around 1700, a large number of upper class women attained a high degree of reading and had more free time than their foremothers. Visits, letters filled with news from friends and family, reading, and stitching kept the time occupied. Naturally, two of these passions fueled the development of this literary subgenre.
Epistolary novels, which are typically written in the form of letters, may also contain diary entries. By mimicking actual events, authors can convey a sense of reality. Without relying on all-knowing, constantly present narrators, letters helped create story, shift viewpoints, and highlight characteristics of character. The most common sort of polylogic books had simultaneous contributions from three or more "writers." This made it possible to apply the technique of "discrepant awareness," in which the reader and some characters are aware of facts that have not yet been revealed to others.
The typical subject matter of epistolary books in the eighteenth century was romance, which exposed the genre to severe mockery. Loss of popularity was consequently caused by altered leisure habits, derision, a more pragmatic outlook, and a desire for a more narrative approach. Despite this, the epistolary book was nonetheless popular in the nineteenth and twentieth centuries, and it seems to be making a comeback again.
Which of these interpretations fits the passage best?
Correct!
Wrong!
Explanation:
The fact that the eighteenth-century novel was expressly mentioned in relation to ridicule demonstrates that not all authors supported this approach.
It is widely accepted that Columbus encountered resistance when trying to locate a western path from Europe to Asia because the majority of medieval people thought the Earth was flat. The educated, however, surely realized that the Earth was a globe by the Middle Ages. On his journey, Columbus encountered opposition, but not from those who feared he would disappear off the edge of the planet. Instead, they thought he had forecast a globe that was too tiny and would run out of supplies before he crossed the Atlantic to reach Asia.
Before the 4th century BC, maybe, Europeans were thought to have had this belief. At that time, several Greek philosophers not only realized that the Earth was a globe, but also determined its exact measurements. They disagreed on whether people actually lived on the opposite side of the planet and which of the conflicting size theories was right. The notion that medieval people believed the Earth to be flat seems to have gained popularity in the late 19th century as a critique of the medieval Christian Church, which has frequently been accused of limiting intellectual development. The myth also appeals to people's notions of "progress" and their perception of the Middle Ages as a time of ignorance.
As incredible as it may appear in the wake of missions to the moon, some people still hold the bizarre belief that the Earth is flat. They offer various depictions of how the Earth is shaped, and some of them assert that the US government staged the space missions as a hoax. Some people make a case for religion.
Modern proponents of the flat Earth hypothesis:
Correct!
Wrong!
Explanation:
"Remarkable as it may appear in the light of flights to the moon, there are those today who believe that the Earth is flat," the third paragraph states. Therefore, these individuals disagree with recent scientific findings.
Epistolary novels rose to fame in England in the eighteenth century, but the genre was outmoded by the year 1800. In response to social change, their popularity increased. After around 1700, a large number of upper class women attained a high degree of reading and had more free time than their foremothers. Visits, letters filled with news from friends and family, reading, and stitching kept the time occupied. Naturally, two of these passions fueled the development of this literary subgenre.
Epistolary novels, which are typically written in the form of letters, may also contain diary entries. By mimicking actual events, authors can convey a sense of reality. Without relying on all-knowing, constantly present narrators, letters helped create story, shift viewpoints, and highlight characteristics of character. The most common sort of polylogic books had simultaneous contributions from three or more "writers." This made it possible to apply the technique of "discrepant awareness," in which the reader and some characters are aware of facts that have not yet been revealed to others.
The typical subject matter of epistolary books in the eighteenth century was romance, which exposed the genre to severe mockery. Loss of popularity was consequently caused by altered leisure habits, derision, a more pragmatic outlook, and a desire for a more narrative approach. Despite this, the epistolary book was nonetheless popular in the nineteenth and twentieth centuries, and it seems to be making a comeback again.
The passage's mention of the following activities best demonstrates how social the eighteenth century was:
Correct!
Wrong!
Explanation:
Visits to friends are undoubtedly social hobbies because they require interacting with other people, in contrast to reading, writing, and stitching, which are all essentially solitary pursuits.
It is widely accepted that Columbus encountered resistance when trying to locate a western path from Europe to Asia because the majority of medieval people thought the Earth was flat. The educated, however, surely realized that the Earth was a globe by the Middle Ages. On his journey, Columbus encountered opposition, but not from those who feared he would disappear off the edge of the planet. Instead, they thought he had forecast a globe that was too tiny and would run out of supplies before he crossed the Atlantic to reach Asia.
Before the 4th century BC, maybe, Europeans were thought to have had this belief. At that time, several Greek philosophers not only realized that the Earth was a globe, but also determined its exact measurements. They disagreed on whether people actually lived on the opposite side of the planet and which of the conflicting size theories was right. The notion that medieval people believed the Earth to be flat seems to have gained popularity in the late 19th century as a critique of the medieval Christian Church, which has frequently been accused of limiting intellectual development. The myth also appeals to people's notions of "progress" and their perception of the Middle Ages as a time of ignorance.
As incredible as it may appear in the wake of missions to the moon, some people still hold the bizarre belief that the Earth is flat. They offer various depictions of how the Earth is shaped, and some of them assert that the US government staged the space missions as a hoax. Some people make a case for religion.
The medieval flat Earth concept gave rise to the myth in the 19th century because:
Correct!
Wrong!
Explanation:
"The idea that medieval people thought the Earth was flat appears to have spread in the late 19th century as a criticism of the medieval Christian Church, which has long been blamed for impeding intellectual advancement," the second paragraph reads. The number of Christians or the idea that the ancient Greeks were backwards are not discussed. It is not used to characterize the medieval era; rather, progress is contrasted with that era.
It is widely accepted that Columbus encountered resistance when trying to locate a western path from Europe to Asia because the majority of medieval people thought the Earth was flat. The educated, however, surely realized that the Earth was a globe by the Middle Ages. On his journey, Columbus encountered opposition, but not from those who feared he would disappear off the edge of the planet. Instead, they thought he had forecast a globe that was too tiny and would run out of supplies before he crossed the Atlantic to reach Asia.
Before the 4th century BC, maybe, Europeans were thought to have had this belief. At that time, several Greek philosophers not only realized that the Earth was a globe, but also determined its exact measurements. They disagreed on whether people actually lived on the opposite side of the planet and which of the conflicting size theories was right. The notion that medieval people believed the Earth to be flat seems to have gained popularity in the late 19th century as a critique of the medieval Christian Church, which has frequently been accused of limiting intellectual development. The myth also appeals to people's notions of "progress" and their perception of the Middle Ages as a time of ignorance.
As incredible as it may appear in the wake of missions to the moon, some people still hold the bizarre belief that the Earth is flat. They offer various depictions of how the Earth is shaped, and some of them assert that the US government staged the space missions as a hoax. Some people make a case for religion.
People opposed Columbus's scheme to discover a western path to Asia because they believed the:
Correct!
Wrong!
Explanation:
People thought he had forecast a too-small globe and would run out of supplies, it says at the end of the first paragraph.