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Melody and Chord Progressions Flashcards

7 cards from real Songwriters practice questions. Tap to flip, then mark Knew It or Still Learning โ€” missed cards come back until you master them.

Read the first 7 Melody and Chord Progressions flashcards as text
  1. What does a 'secondary dominant' such as V/V (five of five) do in a progression?

    Answer: Temporarily tonicizes a chord other than the tonic

    A secondary dominant acts as the dominant of a chord other than I, briefly making that chord feel like a temporary home.

  2. Which scale is most commonly used to write country and folk vocal melodies because it avoids dissonant tones?

    Answer: The major pentatonic scale

    The major pentatonic scale's five notes avoid the more dissonant intervals, making melodies sound consonant and singable.

  3. A 'turnaround' at the end of a section primarily serves what purpose?

    Answer: Leads the harmony back to the start of the next section

    A turnaround is a short progression that redirects the harmony back to the top for the next verse or chorus.

  4. Which chord substitution adds color by replacing the V chord with a chord a tritone away in jazz-influenced songwriting?

    Answer: Tritone substitution

    A tritone substitution swaps the dominant for a dominant chord a tritone away, sharing key tones but adding chromatic motion.

  5. What is 'call and response' in melody writing?

    Answer: A phrase is answered by a contrasting or complementary phrase

    Call and response pairs a musical 'question' phrase with an 'answer' phrase, a hallmark of blues and country.

  6. In a minor key, which chord is often raised to create a stronger dominant function leading to the tonic?

    Answer: The V chord (raising the seventh to form a major V)

    Raising the seventh scale degree turns the minor v into a major V, giving a strong leading tone toward the tonic.

  7. Why might a songwriter use a suspended chord (sus2 or sus4) in a progression?

    Answer: To create tension that resolves when the suspended note moves to a chord tone

    Suspended chords replace the third with a 2nd or 4th, creating an open, unresolved sound that resolves to the major or minor third.