Music Transcription Harmonic Progression Analysis Questions and Answers

Question 1

While transcribing a piece in C minor, you encounter a D-flat major chord that resolves to a G major chord (V). How should this D-flat major chord be analyzed using Roman numerals?

Accepted Answer

As a Neapolitan chord (N6 or ♭II6)

Answer

A major chord built on the lowered second scale degree (D-flat in the key of C minor) is known as the Neapolitan chord. It typically functions as a pre-dominant harmony, leading to the dominant (V). It is most often found in first inversion, hence the '6' in its symbol N6 or ♭II6.

Question 2

In the context of Common Practice Period harmony, which of the following harmonic progressions is considered the strongest and most foundational for establishing tonality?

Accepted Answer

V - I (Authentic)

Answer

The V - I progression, or authentic cadence, is the most powerful and definitive progression in tonal music of the Common Practice Period. The dominant chord (V) creates strong tension that resolves convincingly to the tonic (I), firmly establishing the key center.

Question 3

You are analyzing a passage in G major and identify the following chord progression: G major - E major - A minor - D major. The E major chord is non-diatonic. What is its most likely function?

Accepted Answer

A secondary dominant (V/ii)

Answer

The A minor chord is the 'ii' chord in G major. The E major chord functions as the dominant (V) of A minor. Therefore, it is a secondary dominant, analyzed as V/ii (read as 'five of two'). It temporarily tonicizes the ii chord, creating a strong pull towards it.

Question 4

A composer wants to create a moment of surprise by avoiding the expected resolution to the tonic chord. Which of the following cadences would best achieve this effect?

Accepted Answer

Deceptive Cadence (V-vi)

Answer

A deceptive cadence occurs when a dominant chord (V) resolves to a chord other than the tonic, most commonly the submediant (vi in major, VI in minor). This creates an unexpected turn, 'deceiving' the listener who anticipates a resolution to the tonic I chord.

Question 5

Which of the following describes the concept of 'modal interchange' or 'borrowed chords'?

Accepted Answer

Utilizing chords from a parallel key (e.g., C minor in the key of C major).

Answer

Modal interchange, also known as modal mixture or borrowed chords, is the practice of borrowing chords from the parallel minor or major key. For example, in a piece in C major, using chords like Fm, A♭ major, or E♭ major (which are diatonic to C minor) adds harmonic color and emotional depth without fully modulating.

Music Transcription Practice Test

Music Transcription Practice Test

Music Transcription Harmonic Progression Analysis Questions and Answers