A producer is writing a chord progression for a pop song and wants to create a sense of unresolved tension that strongly pulls the listener into the next section. Which type of cadence, which ends on the dominant (V) chord, would be most effective for achieving this?
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A
Plagal Cadence (IV-I)
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B
Authentic Cadence (V-I)
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C
Deceptive Cadence (V-vi)
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D
Half Cadence (ends on V)