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Polyphonic Transcription Techniques Flashcards

7 cards from real Music Transcription practice questions. Tap to flip, then mark Knew It or Still Learning — missed cards come back until you master them.

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  1. In a polyphonic transcription, what does 'imitation' mean?

    Answer: One voice repeats or echoes a melodic idea introduced by another voice, often after a brief delay

    Imitation is a contrapuntal technique in which a melodic motive stated in one voice is subsequently repeated in another voice, usually at a different pitch and after a short time interval.

  2. When transcribing a two-voice invention, if one voice holds a sustained note while the other moves in eighth notes, which rhythmic concept must be notated carefully?

    Answer: Simultaneous note alignment (vertical synchronization) within the measure

    Precise vertical alignment ensures that every eighth note of the moving voice is correctly placed against the sustained note, which is essential for the score to accurately represent both voices simultaneously.

  3. In polyphonic transcription, 'voice leading' refers to:

    Answer: The smooth or logical movement of each individual voice from one chord tone to the next

    Voice leading describes how each individual voice moves from note to note, prioritizing smooth melodic motion and avoiding awkward leaps to create a coherent, singable line.

  4. When a transcriber encounters parallel fifths between two voices, why is this significant in tonal counterpoint?

    Answer: Parallel fifths weaken voice independence and are generally avoided in common-practice counterpoint

    In common-practice counterpoint, parallel perfect fifths cause two voices to lose their independence — they begin to fuse into a single timbre — so they are traditionally avoided to maintain distinct vocal lines.

  5. A 'canon' is a polyphonic form where:

    Answer: One voice strictly imitates another at a fixed time and pitch interval throughout the entire piece

    In a canon, one voice (the leader or dux) is strictly imitated by one or more following voices (comes) at a consistent time delay and often at a fixed transposition interval throughout.

  6. When transcribing keyboard music in a two-voice texture, rests in one voice while the other continues are best notated as:

    Answer: Explicit rests using the correct rest symbol aligned in the voice's stem direction

    Explicit rests must be written for a silent voice to show the beat is accounted for, maintaining the metric structure and making clear the voice is temporarily silent rather than the notation being incomplete.

  7. In a two-voice polyphonic passage, 'oblique motion' occurs when:

    Answer: One voice sustains a pitch while the other voice moves

    Oblique motion is defined as one voice remaining stationary on a repeated or sustained pitch while the other voice moves up or down, creating a specific type of independence between the voices.