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Harmonic Dictation and Analysis Flashcards

7 cards from real Music Transcription practice questions. Tap to flip, then mark Knew It or Still Learning — missed cards come back until you master them.

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  1. In harmonic dictation, a chord that moves from IV to V is an example of which type of harmonic motion?

    Answer: Subdominant-to-dominant motion

    IV moving to V is called subdominant-to-dominant motion, a common pre-dominant to dominant progression.

  2. When notating a secondary dominant chord in Roman numeral analysis, how is V/V written in the key of C major?

    Answer: D major chord

    V/V in C major is D major because D is the dominant of G (V), requiring a raised third (F#).

  3. Which interval is characteristic of a diminished seventh chord that distinguishes it from a half-diminished seventh chord?

    Answer: The seventh

    A diminished seventh chord has a diminished seventh interval, while a half-diminished has a minor seventh.

  4. In harmonic analysis, what does the symbol 'N6' represent?

    Answer: Neapolitan sixth chord

    N6 stands for the Neapolitan sixth chord, a major triad built on the lowered second scale degree in first inversion.

  5. When transcribing harmony by ear, a sustained bass note while the upper voices change is most likely indicating which harmonic device?

    Answer: A pedal point

    A pedal point is a sustained or repeated note in the bass while harmonies change above it.

  6. In a I–IV–V–I progression in G major, which chord would contain the note D as its root?

    Answer: V (D major)

    The V chord in G major is D major, built on the fifth scale degree (D).

  7. Which cadence type ends on the V chord, creating a sense of incompleteness?

    Answer: Half cadence

    A half cadence ends on the V chord, leaving the music harmonically open and unresolved.