BM or BMus Bachelor of Music Western Music History Periods 3 — Questions and Answers
Question 1: The troubadours and trouvères of the Medieval period are best associated with which activity?
- Composing polyphonic sacred motets
- Creating monophonic secular songs in vernacular languages (Correct answer)
- Writing liturgical chant for the Roman Church
- Developing early keyboard notation
Correct answer: Creating monophonic secular songs in vernacular languages
Troubadours (southern France) and trouvères (northern France) composed and performed monophonic secular songs in Old Occitan and Old French respectively.
Question 2: Which Renaissance theorist systematized the modes and argued that music should express the meaning of its text?
- Johannes Tinctoris
- Gioseffo Zarlino (Correct answer)
- Franchinus Gaffurius
- Pietro Cerone
Correct answer: Gioseffo Zarlino
Gioseffo Zarlino, in 'Le istitutioni harmoniche' (1558), codified Renaissance modal theory and advocated text-music relationships.
Question 3: The Baroque 'doctrine of affections' (Affektenlehre) held that:
- Each piece or section should express a single, unified emotional state (Correct answer)
- Music should freely shift between contrasting emotions within a phrase
- Performers' personal feelings should guide improvisation
- Affect was irrelevant to instrumental music
Correct answer: Each piece or section should express a single, unified emotional state
The doctrine of affections maintained that a musical work or movement should embody one consistent emotion or 'affect' to move the listener.
Question 4: Classical composers used 'false recapitulation' in sonata form to:
- End a movement without a full recapitulation
- Briefly suggest the return of the main theme in the wrong key before the true recapitulation (Correct answer)
- Present the main theme in a foreign key at the outset
- Combine the development and recapitulation into one section
Correct answer: Briefly suggest the return of the main theme in the wrong key before the true recapitulation
A false recapitulation teases the listener with the main theme's return in a non-tonic key before the actual recapitulation arrives in the home key.
Question 5: Which Romantic composer pioneered the 'leitmotif' technique, associating recurring musical themes with specific characters or ideas?
- Giuseppe Verdi
- Hector Berlioz
- Richard Wagner (Correct answer)
- Franz Liszt
Correct answer: Richard Wagner
Richard Wagner systematically used leitmotifs in his music dramas, assigning recurring musical ideas to characters, objects, and concepts.
Question 6: The term 'neoclassicism' in early 20th-century music refers to composers who:
- Wrote exclusively for ancient Greek instruments
- Returned to pre-Romantic forms, textures, and aesthetic ideals (Correct answer)
- Rejected all previous compositional techniques
- Adopted the scales and harmonies of ancient Greece
Correct answer: Returned to pre-Romantic forms, textures, and aesthetic ideals
Neoclassicism was a movement in which composers like Stravinsky and Hindemith revived Baroque and Classical formal structures and aesthetic restraint as a reaction against late Romantic excess.
Question 7: Which of the following best describes the role of the 'continuo group' in a Baroque ensemble?
- A section of string players who doubled the melody
- Keyboard and bass instruments that provided harmonic support throughout (Correct answer)
- A group of soloists who improvised countermelodies
- Brass instruments that reinforced cadential harmonies
Correct answer: Keyboard and bass instruments that provided harmonic support throughout
The continuo group (typically harpsichord, organ, lute, and a bass melody instrument) provided the harmonic foundation underpinning virtually all Baroque ensemble music.
The troubadours and trouvères of the Medieval period are best associated with which activity?