Musical Form and Analysis Flashcards
7 cards from real BM or BMus Bachelor of Music practice questions. Tap to flip, then mark Knew It or Still Learning — missed cards come back until you master them.
Read the first 7 Musical Form and Analysis flashcards as text
What is the term for the large-scale formal structure of a Baroque da capo aria, in which the first section is restated after a contrasting middle section?
Answer: Da capo (ABA) form
Da capo aria form (ABA) requires the performer to return to (da capo = 'from the head') and repeat the first section, often with added ornamentation.
In the analysis of a Classical rondo finale (ABACABA), what harmonic area do the 'B' and 'C' episodes typically explore relative to the 'A' refrain?
Answer: Contrasting key areas (dominant, relative minor, etc.)
Rondo episodes contrast with the refrain by exploring different key areas such as the dominant, relative minor, or subdominant, providing tonal variety.
What formal term describes a coda-like passage at the end of a development section that prepares the listener for the recapitulation?
Answer: Retransition
The retransition is the passage at the end of the development that builds harmonic tension (typically on the dominant) to prepare for the return of the tonic and first theme in the recapitulation.
In 12-tone (serial) music, what is the term for the version of the row that presents it in reverse order from last pitch to first?
Answer: Retrograde
The retrograde presents the 12-tone row in reverse order, reading the original row from its last pitch back to its first.
What analytical label identifies a passage in sonata form where the first theme returns briefly in the tonic during the development, before the actual recapitulation?
Answer: False recapitulation
A false recapitulation is a premature, illusory return of the first theme in the tonic during the development that is soon abandoned, delaying the true structural return.
Which term describes a musical texture in a fugue where voices drop out temporarily, leaving only one or two parts before a full reentry?
Answer: Episode
An episode in a fugue is a transitional passage between subject entries, often reducing the number of active voices and typically based on sequences derived from the subject or countersubject.
In Romantic symphonic poems and programmatic music, what formal principle allows extramusical narrative content to determine the work's large-scale structure?
Answer: Program (poetic) form
Program (or poetic) form allows a literary text, painting, or narrative to govern the musical structure, as in Liszt's symphonic poems where events in a story shape formal proportions.