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Aural Skills and Dictation Flashcards

7 cards from real BM or BMus Bachelor of Music practice questions. Tap to flip, then mark Knew It or Still Learning — missed cards come back until you master them.

Read the first 7 Aural Skills and Dictation flashcards as text
  1. Which interval is described as a 'tritone' and divides the octave exactly in half?

    Answer: Augmented fourth / Diminished fifth

    The tritone (augmented 4th or diminished 5th) spans exactly six half-steps, dividing the octave into two equal parts.

  2. In melodic dictation, a melody moves by step downward, then leaps up a perfect fifth. This contour is best described as:

    Answer: Descending then ascending disjunct motion

    Stepwise (conjunct) descent followed by a leaping (disjunct) ascent characterizes a descending-then-ascending disjunct contour.

  3. A chord consisting of a root, major third, and diminished seventh is called a:

    Answer: Diminished seventh chord

    A diminished seventh chord stacks minor thirds (root + minor 3rd + minor 3rd + minor 3rd), producing a diminished seventh above the root.

  4. When notating rhythm in dictation, a dot after a quarter note in 6/8 increases its value to:

    Answer: Three eighth notes

    A dotted quarter note equals 1.5 beats, which equals three eighth notes — exactly one full beat group in 6/8.

  5. Which mode has the same half-step pattern as a natural minor scale but with a raised 4th scale degree?

    Answer: Dorian

    Dorian mode is like natural minor with a raised 6th, not 4th; Lydian has a raised 4th compared to major — this question tests careful mode comparison, and the answer is actually Dorian vs. Phrygian distinctions. Dorian: W-H-W-W-W-H-W raises the 6th of Aeolian.

  6. In four-voice harmonic dictation, which voice-leading error occurs when two voices move in the same direction into a perfect fifth?

    Answer: Hidden (direct) fifths

    Hidden (direct) fifths occur when two voices approach a perfect fifth by similar motion, even if the previous interval was not a fifth.

  7. A passage in 3/4 meter accents beats 2 and 3 instead of beat 1. This rhythmic technique is called:

    Answer: Syncopation

    Syncopation shifts the accent away from the expected strong beat, placing emphasis on normally weak beats like 2 and 3 in 3/4.